In 2017 I want to build a relatively static hardware-based workflow. This is what I’ve chosen: The components are: Roland A-500PRO keyboard controller - https://www.roland.com/global/products/a-500pro/ Arpie MIDI Arpeggiator - https://www.tindie.com/products/hotchk155/arpie-midi-arpeggiator-kit/ CV.OCD Midi -> CV Convertor - https://www.tindie.com/products/hotchk155/cvocd-a-super-flexible-midi-to-cv-box/ KORG MS20 Semi-Modular Mini Synth Eurorack - https://www.modulargrid.net/e/racks/view/350623 Nord Drum Semi-Modular Drum Module - http://www.nordkeyboards.com/products/nord-drum Stereo Memory Man with Hazarai (Reverb/Echo Pedal) - http://www.ehx.com/products/stereo-memory-man-with-hazarai Focusrite Saffire Pro 24 Audio Interface - https://us.focusrite.com/firewire-audio-interfaces/saffire-pro-24 Ableton Push Controller (MK1) - https://www.ableton.com/en/push/

With my current setup, I’m trying to make as much music ‘out of the box’ as possible, away from the computer as I find it more fun. Synths: KORG Minilogue: I use this for a keyboard controller, and I use the 16 step sequencer to run simple sequences. It connects to the PC via USB and has MIDI output. I can also use this as a synthesizer its own right, it’s good for backing chords and pads. KORG MS20 Mini: I’m borrowing this from a friend. I will use it as a bass synth mostly. I’ve got a Harvestman English Tear module which connects it to my Eurorack. ...

When I first started getting into computer roleplaying games in the 90s/00s I remember playing the Infinity Engine games by Bioware and Black Isle, such as Baldur’s Gate 2, the original Fallout games, and of course Planescape: Torment. It was the quality of writing that drew me in and took me to another world, the graphics were just a background setting to that writing. Somewhere in the 2000s RPGs became more action orientated and prioritised mechanics and visual appeal and combat over branching stories. Nowadays a lot of popular RPGs are those such as Dark Souls, which seem more about combat and atmosphere than anything else. Blockbuster games such as Dragon Age: Inquisition and The Witcher 3 still show that great writing, characterisation and real player choices can still be popular. ...

So.. the problem, as so many people have said, with getting into building a Eurorack modular synthesizer is that it becomes addictive, and you inevitably spend more than you can really afford. That said.. I now have a great fully customised synthesiser for what I want to do :) The layout is: Top shelf: 3 oscilators and noise generator in the top left, 4 VCAs and S&H and Ring Mod sections in the mid center, LFOs in the top right. ...

These functions are quite handy, and allow you to do things such as copy and paste errors and google for them without having to manually open a browser. You have to enclose arguments to both functions in single quotes, e.g. ‘chrome ‘http://www.google.co.uk ’ and google ‘one two three four’. You should add these to your config file at ~/.config/fish/config.fish and make sure Google Chrome is already installed. [code language=“bash”] function chrome /usr/bin/open -a ‘/Applications/Google Chrome.app’ $argv[1:] end function google /usr/bin/open -a ‘/Applications/Google Chrome.app’ “https://www.google.co.uk/search?q=$argv [1]” end [/code]

I use a heavily customised setup for vIM, the text editor that annoys me the least in ~30 years of using a computer. You can see my exact setup in my dotfiles repo on github, https://github.com/wordswords/- . Here are the plugins I use: ConqueTerm - Opens a shell window inside vIM, allowing you to have a REPL environment within vIM. NERDTree - A filetree plugin that you can see on the left of the window above. It replicates the Sublime text editor’s filetree. vim-airline - This is a statusline plugin for vIM that allows for a nicer status view for windows and buffers. vim-devicons - Allows for UTF-8 icons to make vIM editing slightly more graphical. Used by airline to display more info in less space, and by NERDTree to show filetype information. vim-fish - Syntax highlighting for fish shell script editing. vim-rails - Syntax highlighting and more for rails. vim-ruby - Syntax highlighting for Ruby.

More adventures with Fish shell. I have scripted the generation of a bunch of test asset audio files in mp4 format suitable for dash streaming. I have used the audio file commandline tools ffmepg MP4Box and sox in this script, they are pretty powerful and worth installing via homebrew on OSX. Thoughts: I think that instead of quoting you can just output $variable, which is probably better coding style. I’m still working out good way to return variables from functions, it seems that you need to echo out the output and that gets picked up by the calling function, which is a bit messy. [code lang=“bash”] #!/usr/bin/env fish # move to the asset output directory.. cd .. ...

For my own benefit as much as anyone elses, I thought I’d document my PC audio setup. I have two soundcards and two sets of speakers, one surround soundcard and speaker set for gaming and watching surround sound movies, and one audio interface linked up to my studio monitor speakers for music production. I also have a Digi 002 mixer which I use to mix in the outputs from my synthesisers to my recording interface. When I want to record, I usually record one track at a time from a synthesier to the audio input of the audio interface, via the Digi 002 mixer: ...

A few months ago I switched across from Bash onto the Fish shell , on my main development machine. I can’t get enough of its fast autosuggestions and its sane scripting language. Compared to Bash it is very fun to use. Today I wrote a script to automate the backup of my development workspace onto a private bitbucket account. Bitbucket is good because it allows unlimited private repositories, but it caps the size of these repos at 2GB max, with some features disabled after 1GB. This means that I want to find out the size of my repo before automatically backing it up. This script does this: ...

So I got given a Digi 002 console version, which looks like this: A fairly old style digital audio interface and mixer, which was all the rage back in 2002 when it first came out, but now is often found sitting in the skip. Why? Because it is a Pro-Tools inteface, and Avid stopped supporting it about 5 years ago, so it won’t actually work under Pro Tools and Windows 10 (believe me, I’ve tried!). It only works as a recording interface through Pro Tools, so you can’t just connect it via firewire to your PC and expect it to work. ...